‘We’ve all been robbed of a master painter’
John Cole’s landscapes won wide attention
DEAN KAHN
THE BELLINGHAM HERALD
John Cole of Bellingham painted full time for only two decades, long enough to win acclaim as a landscape artist, short enough to add extra poignancy to his death Tuesday at age 71.
“We’ve all been robbed of a master painter,” said Linda Gardner, the owner of Lucia Douglas Gallery in Fairhaven.
Born in London, Cole showed stellar artistic promise as a child. His family moved to the U.S. when he was a teen. He served in the U.S. Navy, studied art at New York’s Pratt Institute, then became an electrical meter technician.
He returned part time to his passion for painting in the mid- 1970s when his 11-year-old daughter died and he got divorced. With support from his second wife, Lucille, and from local artists stunned by the quality of his work, he began painting full time in 1986.
“That creative force finally came through,” Gardner said.
Cole loved the outdoors, where he camped, fly-fished and painted landscapes.
A kind man, Cole was a mentor to younger local artists, sharing his knowledge, time and expertise.
“He had perfect color awareness,” said Tom Wood, a local painter who considered Cole a teacher as well as a close friend. “His luminosity isn’t just color; it’s intensity.”
Wood said Cole’s focus on regional landscapes dampened his renown at first, but in time his works won wide attention. The Whatcom Museum of History & Art presented a retrospective show in 2005, and Cole’s works sold quickly at Lisa Harris Gallery in Seattle.
Cole had won the recognition he deserved before he was stricken with Lewy body dementia, a progressive brain disease.
“He should have gone on painting for another 10 or 20 years,” friend Mary Froderberg said, “but life isn’t fair.”
At Lisa Harris Gallery:
In Memoriam John Cole - 1936 – 2007
Lisa Harris Gallery is saddened to announce the passing of John Cole, who was one of the Pacific Northwest’s premier landscape painters, and a gallery artist for 19 years. Cole died Tuesday evening in Bellingham at the age of 71.
The artist had suffered from Lewy Body Disease, a degenerative neurological condition, for over three years. Cole’s work conveys the essence of the Northwest—its big trees, majestic waterfalls, rushing rivers, and unspoiled lake and mountain vistas. The artist was a central figure in the close-knit art community of Bellingham and the Skagit Valley, and his work has been collected nationally. John Cole was born in London in 1936, the youngest of nine children. His home was destroyed during one of the first German bombing raids, and his early schooling was interrupted. As a youth he demonstrated a talent for drawing and painting, and remembers being influenced by visits to the Tate Gallery where he came under the spell of the Cubists, Matisse, the German Expressionists and such American artists as Marsden Hartley and Arthur Dove. When Cole was 15, his family immigrated to the U.S., preventing him from acting upon the Royal Academy scholarship he had been offered.
Cole finished high school in Long Island, New York, and attended nearby Pratt Institute where he took art classes and participated in open painting sessions. In 1962, after serving four years in the U.S. Navy, he lived briefly in Florida and in Southern California where he studied electrical engineering at Pasadena College and worked for the local public utility. He managed to resume painting in his spare time and joined the Laguna Art Society.
Cole discovered the Pacific Northwest on vacation in 1967 and eventually settled in Bellingham where he was employed at Puget Power. During these years he met Lucille McCarty, who he married in 1977. She accompanied him on many of his camping excursions in Washington, Oregon, and British Columbia. By 1985 he had become deeply fascinated by the Canadian Group of Seven whose work inspired him to delve deeper into more remote Pacific Northwest landscapes. Cole was an avid fly fisherman who sketched outdoors. In later years he also executed many of his small to mid-size paintings en plein air, often accompanied by Bellingham artists Thomas Wood and Mary Froderberg. Wood and Susan Bennerstrom, another Bellingham painter, together with Cole’s wife, encouraged John to quit his job at the age of 50 in order to paint full time.
From the late 1970s to mid 1980s, he had solo exhibitions with Magnolia Gallery, Blue Horse Gallery, and the Chrysalis Gallery at Western Washington University. His works were included in exhibitions at the Frye, Whatcom and Tacoma Art Museums in Washington and at the Portland Art Museum in Oregon.
In 1988, Cole joined Lisa Harris Gallery, and in 1989 they mounted his first Seattle solo exhibition. Cole remained a beloved member of the art community in Bellingham contributing his work to local causes and participating in group shows at Lucia Douglas Gallery. In July of this year, Lisa Harris Gallery presented a group of the artist’s last paintings together with a 20-year survey of his lesser-known relief prints from wood and linoleum. Broadly applied opaque color, simplified shapes suggesting massive forms, and superbly constructed compositions are the hallmarks of Cole’s style. The artist’s black and white prints retain his fluid vision of nature as they powerfully delineate the raw landscape and archetypal figures. In 2003, Whatcom Museum of History and Art in Bellingham presented a major retrospective of the artist’s work. The exhibition catalogue, John Cole: The Enduring Northwest Landscape, is distributed by University of Washington Press.
The artist’s work is featured in The Pacific Northwest: a Painted History (Sasquatch Books, Seattle), and 100 Artists of the West Coast (Schiffler Publishing). His paintings are in numerous private and institutional collections throughout the United States and Canada.
John was preceded in death by his parents, daughter Katherine Cole, brothers Lionel, Reginald, and Maurice, and sisters, Mavis and Rennie. He is survived by his wife Lucille Cole of Bellingham, sisters Joyce and Violet of England, step-daughters Janet VanWieringen and Joyce Josephson (husband Jon), all of St. George, UT, step-son Earl Parrick of Red Vale, CO, and numerous grandchildren. Memorials may be made to Parkinson Disease Society, Lewy Body Dementia Association and/or St. Paul’s Youth Memorial Fund. A Memorial Service will be held at St. Paul’s Episcopal Church on Saturday, November 10, 2007 at 12 noon followed by a reception in the Great Hall. You may view photos of John and share memories of the family at www.westfordfuneralhome.com.